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今日談到了日本攝影史從一九七零年代的攝影脈動談到現在年輕人使用攝影這個媒材的創作行為
整個過程沒有間斷從七零年代延續至今我驚訝到日本攝影的發展竟是如此的完整
而後生晚輩的作品也一直推陳出新沒有所謂複製前人用過的路子來發表創作
回來看看我自己的東西好像就只有淪為表象的份了
這裡我知道其中的原因而且近些日子以來我也開始慢慢的察覺到這些問題所帶給我的困擾
究竟為什麼拿起像機按下快門
我想要捕捉什麼?什麼東西是我想說的?
而我生活的觸角真的有實際感受到那個範圍所帶給我的任何絕對和純粹嗎?
還是我只是視線到了那個範圍而輕易的按下快門
回到家裡我看著在視丘時所作的零星紀錄
除了一些必須知道前輩的名子之外
還記下了
1967
政治性
走出自己的路之前做個總整理(他們相當的有遠見)
Provoke(相當喜歡這個字很有改革的力量)
推薦者: hillv2 |
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去聽講座前 先到沖印店拿之前要求放的作品 哇塞 花錢花到手軟 當場檢查一下 恩 感覺上 是比較可以見人的東西 我心裡盤算著是 ... 是否有機會給要演講著看看呢 其實 心理是很緊張的 應該沒有人這麼大膽拿東西吧 哈哈 想說 難得一次 硬著頭皮上吧 頂多 ...就自己放假療傷 基本上被說的東西 我也是知道 作品的動機 目的 核心價值 其實才是最重要的 不管是否畫面如何 (但是基本上要有一定美感 品質) 這個事情 我大概半個月前發現是非常重要的 但是也是一直困擾著我 因為 我不太能抓到 今天回來跟gf 討論 一下我所想到的 他也覺得我想的可能太個人 恩 改天再跟同學討論討論 比呂志先生.... 我乍看之下 好像 國內名鼓手小白 上次在某個攝影聚會 見到一個許久不見的 朋友 他問我的是... "你還打不打鼓" ＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝以上兩篇都轉載自 http://www.fotosoft.com.tw/bbs/topic.asp?topic_id=1252&forum_id=85&cat_id=5 |
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下面引用由5566在 2006/12/17 01:00:49 發表的內容： 今日談到了日本攝影史從一九七零年代的攝影脈動談到現在年輕人使用攝影這個媒材的創作行為 整個過程沒有間斷從七零年代延續至今我驚訝到日本攝影的發展竟是如此的完整 而後生晚輩的作品也一直推陳出新沒有所謂複製前人用過的路子來發表創作 回來看看我自己的東西好像就只有淪為表象的份了 這裡我知道其中的原因而且近些日子以來我也開 ... 阿寶老師不是也有受文建會委託整理台灣攝影史，同學可以互相參考^_^ 看看老師整理的台灣攝影的發展是不是也是如此完整。 另一個脈絡也可以互相參照，就是William Klein 跟Provoke這群人的關係， 還有Provoke這群人跟日本其他同期作者的差別也是很好的探討，再推薦個 好文章，就是高志尊在中華攝影教育協會的會議文章，也有討論到這個團體 與70年代的日本攝影運動。 70年代真好，但是我更喜歡當下。 http://www.fotosoft.com.tw/bbs/topic.asp?topic_id=1252&forum_id=85&cat_id=5 |
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Two things to say
1.
What struck me most of the speech last Saturday is the way Mr Suganuma presented Japanese photographers and publications in 70s – systematic, succinct, and organized. Better still, Wu Lao-Shih’s brilliant and juicy interpretation and explanation also very much helped me understand the development in the field of photography in 70s’ Japan.
Mr Suganuma’s emphasis on the motivation of an artist’s work which I think very much resonated among many of us. Indeed, one should always go back to basics and ask himself/herself a simple yet significant question – “ why do I do it?”, then answer it honestly. I don’t think any work with vague aim or fake enthusiasm however good they are will survive – be true to your work. Further, I was also astonished to know that Mr Suganuma actually wrote back his comment to each disqualified contender in person. And that’s hundreds of each competition and happening twice a year! A very Japanese kind of dedication to work or to be more exact – “the embodiment of professionalism”. I doubt it will ever happen here.
In short, it was a humbling and encouraging experience. A 21-gun salute to Wu Lao-Shih! (Boom~~~)
2.
Well, a total different subject now. Lee Hsu-Pin Lao-Shih (nickname Bang, I guess) raised a thought-provoking point in class when we first met two weeks ago. He told us not to be conditioned to see only when carrying a camera. Instead, we should explore the God-given gift that we’re born with – the ability to see, hear, taste, smell, and feel. It costs nothing and yet we don’t seem to appreciate it. (In this “civilized” world, people tend to utilize all kinds of “aids” to get job done more conveniently and comfortably, so in the mean time, corporations are more than happy to cash in on that and manufacture things of high “affordance”. Who are to blame? Ok, I will shut up here and stop being cynical.) What a shame. The ability to sense is a blessing and we should always remind ourselves of those gifts. Look no further than the example of Christopher Reeve, the famous actor who is probably best known for the movie Superman, later paralyzed in an accident. He once said on his wheelchair during an interview that “what I wish for now is to be able to feel once again the feeblest touch of my boys’ fingers on back of my hand, which seems to me a luxury now”. (that’s how I remember it, not the exact quotation from him.) Well, I may have gone a bit too far, but that’s just something I wanna share with. And I wish to say thank you to Lee Lao-Shih for reminding us of this.
cheers |
